Skip to main content

BUZZ: COMEDY REVIEW: RUSSELL KANE


COMEDY REVIEW: RUSSELL KANE

Russell Kane
Tues 25 May 2010
The Garage Comedy Club, Uplands, Swansea
****
Hyperactive multi-accented metrosexual Russell Kane prances about the stage like a natural jester playing up to the student element of the audience (drunker, easier to please). He is no beginner at this laughs malarkey; as he writes on his About Me section of his website: ‘I’ve had three of those Perrier nomination thingies, I do national tours – I’ve even written a play which is going to the Soho theatre… and I’m writing a novel.’ Get him. In 2010, in Swansea land, the gifted comic wittily fills stereotypes of Guardian and Daily Mail readers, Welsh vs English, Australians and Americans with absurd observations and personal anecdotes.
The Enfield stand-up has plenty in common with his namesakes Brand and Howard, at least in camp modern man-nerisms and flamboyance, if not Dandy dress sense. Plucking out traumas from his own childhood and puberty he turns pain and embarrassment for tricks – the tough father who only has to look at a shelf to put it up, the gran who catches him full-frontal masturbating after a night out on pupil-dilating substances. Kane skips about the stage with a sing-song Oxford voice, upon heading into non-PC territory (jokes about disability) he asides ‘Must not laugh. Quick, let’s make a cone of protection out of copies of the Guardian.’ At other times he gruffs up as a Gary or Dave, leans back on an imaginary transit van.
At the end he stops his meandering musings to tell a standard-form joke: ‘Philosophically speaking a Scotch egg is the most evil snack imaginable for a vegetarian. Because it has death on the outside, and the potential for life within.’
Kane is well-educated, and not afraid to show it, and yet his whirlwind set has its downfalls: often the humour sinks from silly to basic toilet humour or predictable outcomes feeling at odds with the insightful splices of thoughtful truths – relating to xenophobia, racism and bigotry – and the twisted laughs gained from the darker side of human life. Still he is an endearing performer, fast-paced, wide-eyed and swaggering; all skinny jeans and spot-on comic delivery. I’m certain we’ll be seeing more of him.

Comments

Popular posts from this blog

MS: Naked Librarians & Laugharne Literati (Part 1)

A pile of books in the courtyard of Shelf Life This is a blog of two parts… Part One I don’t know about you, but I’ve had a most wonderful weekend. A lovely weekend. A Laugharne Weekend, and many laughs were to be had at Laugharne. Yet the fun began early, as my weekends frequently seem to these days, kicking off with the press night for  Shelf Life  at The Old Library in Swansea on Thursday, the second of twelve new productions being put on across Wales this year by the so-far-so-damn-good  National Theatre of Wales . They continue to set the standard high. After nibbles and natters upstairs in the Old Police Station where an exhibition of wire works by Swansea artist  Debbie Evans Quek  graced the walls, we were ushered down to the sunny courtyard for the start of the evening’s innovative often-improvised acts. The site-specific promenade performance screams Volcano Theatre, who here combine their groundbreaking talents with the  Welsh National Opera (WNO).  This time their chosen

Gig Alert: Wild Words at The Wheatsheaf

Hello Lovelies, How are you all doing? Great, I hope! I am almost back to 100% and ready to kick off the tour again this Saturday 25 November by hosting Wild Words at The Wheatsheaf in Fitzrovia, London . This is the London launch for Better Houses , in my birth city, so I will also be reading, but before that I will be introducing some wonderful writers from Parthian Books and our friends. Here are the bits and bobs: Join us for an afternoon of poetry from Wales and the World at The Wheatsheaf. We will be featuring poets with links to London and Wales and poetry in translation published by Parthian Books and their friends.  Poets performing include Eleni Cay (A Butterfly's Trembling in the Digital Age, Parthian, 2017 in translation from Slovakian), Christina Thatcher (More than you were, Parthian Books, 2017), Rebecca Parfitt (The Days After, Listen Softly London, 2017), and Tracey Rhys (Teaching a Bird to Sing, Green Bottle Press, 2016). More special guests T

One Woman Show | Interview: Bryony Kimmings

" Bryony Kimmings is NOT an alcoholic." So begins the blurb on the Soho Theatre website for Kimming's current show 7 Day Drunk . No Bryony Kimmings is not an alcoholic, she is an artist, and her own website tells us that: 'She makes performance, dance, music, spoken word, and video. Her work is haphazard, loud, dangerous, unpredictable... and above all mega-fun!'  Kimmings is one of a number of young artists creating work linked to Britain's (and their own)  rocky relationship with booze.   7 Day Drunk is part social experiment and part personal history. Through anecdote, song, dance, film and fantastical costumes Kimmings examines whether alcohol does make us more creative, and if so at what cost.