Skip to main content

BUZZ: FILM INTERVIEW | RICHARD AYOADE


FILM INTERVIEW | RICHARD AYOADE

Submarine, the film based on Joe Dunthorne’s Swansea coming of age novel of the same name, is out now. Buzz caught up with Writer and Director Richard Ayoade at the Welsh premiere.
WORDS: SUSIE WILD
With his afro and geek-gangly height Ayoade is instantly recognisable off screen. It is not especially surprising that the 33-year-old got mobbed by fans when filming the school scenes of Submarine in Swansea. As a comic actor he has starred in a string of hit TV comedies including The IT CrowdThe Mighty Boosh, and Nathan Barley. A chance meeting with Warp Films saw him directing music videos for the Artic Monkeys, Yeah Yeah Yeahs, Super Furry Animals, Kasabian and Vampire Weekend and then taking on Submarine, his first feature film. The story sees 15-year-old protagonist Oliver Tate trying to cure his father’s depression, save his parent’s marriage and seduce his pyromaniac girlfriend. What first attracted Ayoade to the Curtis Brown Prize-winning novel Submarine?
‘I liked Joe’s book. I thought it was funny and I liked the tone of it and the character of Oliver. I was going to do a tank film, kinda just mainly tanks. It was going to be about two tanks, you know like Herbie Goes Bananas, but with tanks. Disaster struck, we couldn’t get the tanks. That week I got Joe’s book, because I was obviously down as the tank film hadn’t worked out, so to cheer me up I read Submarine. I was initially disappointed about the lack of tanks in it. My first drafts of the script were tank heavy.’
Despite being named by Variety as one of 10 Directors to Watch in 2011 Ayoade speaks in an awkward, nervous deadpan shot with self-deprecating remarks and an occasional slip-up of sincerity. I ask him about his experiences of Swansea.
‘I’ve done stand up here, to massive acclaim, it was very popular, it changed the way stand up was done across the globe from then on. . . Is this the opportunity for me to make a casually racist remark that is repeated in an Ann Robinson way? I’m known for my casual racism so hopefully it’ll just slip out naturally at some stage. No, it was great filming in Swansea, and Barry. South Wales is really quite a beautiful place, a good place to film, and everything looks interesting and the light is very good – not too harsh, soft clouds.’
What films influenced the way he shot Submarine?
BadlandsTaxi DriverThe GraduateRushmoreThe Squid and the Whale and Flirting, which is a great film.’
Acting, writing, directing – Ayoade has tried his hand at all three, but which one does he enjoy the most?
‘I like directing and writing, but I probably like writing best because everything is possible when you are writing something and then you slowly encounter the crushing jaws of reality. I guess the reason that I prefer writing is that there is something pleasing about the solitary nature of it. And then directing. And then acting because I’m just not very good at acting.’
But you’ve won awards….?
‘Oh those? They weren’t for my acting ability, more for loudness.’
Ayoade’s next film is going to be an adaptation of Dostoevsky’s doppelgänger novella The Double set in contemporary America. The story is in a similar vein to Black Swan, and sees government clerk Yakov Petrovitch Golyadkin’s mental deterioration as his exact double enters his life and begins to take over.
‘I’m adapting The Double with another writer, Avi Korine. It is not going to be a very faithful adaptation, as the book is very hard to adapt, so we’ll circumnavigate that by not doing it properly, but Dostoevsky is a great writer. It is hard to do a particularly accurate adaptation of anything, as you just end up with very long films. I’m just about to start looking at it really.’
So your first two films are both adaptations, are you planning on writing any of your own features from scratch?
‘No, I’ll just be ripping other people off, ideally. Yeah. Passing other people’s stuff off as things I’ve done. I mean if everything I did was an adaptation I wouldn’t feel all bad about it. Perhaps I will only make films out of Joe’s books from now on. Hopefully he can write ten more quite quickly.
If they are anything like Submarine that won’t be a bad thing. Submarine is at cinemas now. Watch it. More here:warp.net/films/submarine

Comments

Popular posts from this blog

PHOTO BLOG: Poetry at the Clocktower

We had a lovely day of poetry outside the Poetry Bookshop in Hay today and it stayed mostly dry too!  Here’s me telling the audience some things about Bert (Roberto Pastore). Thanks Sian Lile-Pastore for the photo. And the rest of the photos as promised... Imogen Davies, Richard Davies, Niall Griffiths, Nigel Jarrett and Ifor Thomas took the early spots... (thanks to Christina and Ifor for these photos...) Richard (Parthian) & crowd Niall Griffiths reading Niall Imogen Ifor Thomas reads Nigel Jarrett reads Next up we had readings from Christina Thatcher, Abigail Parry and Samantha Wynne-Rhydderch,  followed by readings from Ness Owen, Mari Ellis Dunning, Jemma L. King, Tracey Rhys, Patrick Jones, Roberto Pastore and, drawing the short straw to go last, yours truly. Abigail reads Abigail again Roberto Pastore reads Ness Owen reads Everyone loves Bert Tracey Rhys reads Patrick Jones reads Samantha Wynne-Rhydderch A shot of Christina in red in the crowd Stalls at Hay Castle ...

BOOK REVIEW: 'one of the most distinctive voices in contemporary Welsh writing in English'

There is a wonderful extended review essay 'Ecological Literacy' by Steven Lovatt in the latest issue of New Welsh Review exploring recent books that seek to restore natural and cultural ecologies and recognise how the cultural nature of our landscapes is preserved in language. It offers an in-depth look at This Common Uncommon by Rae Howells, and here are three of our favourite snippets: "Rae Howells’ new poetry collection, This Common Uncommon , is a fierce and loving affirmation of the local, exemplifying the sort of care-full attention to the interdependence of people, other animals and plants that will be required if anything worthwhile is to be saved from the present ruin." "Howells confirms the evidence of her first collection, The Language of Bees, that she is a highly adept poet, possessing one of the most distinctive voices in contemporary Welsh writing in English." "If West Cross Common is developed for housing, nobody can now claim ignoran...

GIG ALERT: Voicebox Wrexham

Celebrate 11 years... (11 YEARS!) of Voicebox with an absolute class creative cabaret of Wrexham's Arts Scene with the infamous Voicebox Open Mic with your host Natasha Borton! This month we have a very special takeover with Parthian Books. Parthian is an independent publisher based in Cardigan, Wales. Since its foundation in 1993, Parthian has published some of the best-known works of contemporary Welsh literature. Parthian's motto is “A Carnival of Voices in Independent  Publishing”. Monday 11th November at Rough Hands Tap, Wrexham Entry is £5 (£3 concessions) Doors: 7pm Open Mic 7:30 - 8:30 Susie Wild - 8:45 - 9:15 Patrick Jones - 9:15 - 9:45 Penblwydd Hapus Voicebox Headliners: Susie Wild is author of the poetry collections Windfalls and Better Houses, the short story collection The Art of Contraception listed for the Edge Hill Prize, and the novella Arrivals. Her work has featured in many publications including Poetry Wales, Ink Sweat & Tears and The Atlanta Review and...