Skip to main content

SABOTAGE REVIEWS | WASTED | KATE TEMPEST



WASTED by Kate Tempest

In Performance Poetry on April 5, 2012 at 11:35 am
- reviewed by Susie Wild -
@Sherman Cymru, Cardiff - 24 March 2012
Tempest: Spoken Word to Stage
Kate Tempest has already made a name for herself on the spoken word scene as a poet, rapper and hip hop artist, but with a surname like hers it seems only right that she should cross over to writing for the stage. It is a successful move. Her debut play takes the best elements of these lyrical influences to tell an engaging, emotive story of three friends knee-deep in weekends and growing too old for the drug-fuelled South London party scene.
Friends raving or stuck in a rut?
The friends have known each other since their teens, and now in their mid-twenties, are finding new concerns, aware that in another decade they don’t want to still be gurning at parties, like the people they used to laugh at. On the ten year anniversary of their friend Tony’s death  they each visit his commemorative tree – which at least changes four times a year with the seasons – and make confessions of stagnation. Charlotte (Lizzy Watts) walks out of her job as a teacher and books a flight, wanting to move on, to make a difference – ‘I’m making a decision. I’m changing things. This is it.’ Danny (Ashley George) has a last chance to get what he wants and struggles to man up to the occasion whilst Ted (Cary Cranson) has a job and steady girlfriend but is resigning himself to growing up and going nowhere.
A slice of shared ‘wasted’ experience
Wasted is a wittily knowing and dynamic production, managing to relate the rave experience to those still enjoying it and those who have grown past it in equal measure – nostalgic winks and weary wising up cocktail-mixed in with the loved up togetherness of the shared experience. They dance in warehouses in Peckham where art students are ‘experiencing ketamine’ and all the people there have ‘adjectives as names’ and they spend ‘life retelling life and it’s getting boring.’ and ‘dropping pills just so that we can smile at each other without looking away.’ Acting drunk on stage is hard enough to do and get right, but here all three actors act perfectly wasted as they hug speakers and each other and make plasticine faces.
The show talks of trying to jolt yourself out of that rut where you do the same things as you have always done, but now going to parties you get fucked just to have something to say to each other, and that something is often nostalgia for those first parties, those times when it was all exciting and fun and new. Originally commissioned for Latitude 2011, it speaks to a festival going audience and mixes between pounding music and those early morning ‘what does it all mean, what are we doing?’ lucid conversations and the ‘I’m-getting-too-old-for-this-shit!’ comedown realisations and resolutions to do something else, something more, or perhaps just pop another pill, have another dab – ‘We forgot our epiphany the minute that we thought it.’
Fresh and innovative theatre
Paines Plough have a reputation for putting on innovative new works and spotting the direction that theatre is moving in ahead of the pack. Here, director James Grieve taps into the rising spoken word scene in the UK and make something fresh. Wasted places Tempest’s lucid words into the mouths of a strong cast, especially the emphatically charming Cary Cranson, and allows them to breathe. The multi-media piece effectively mixes poetry, monologue, music and drama yet falls down with the film background, which adds nothing to the other all production, except occasional unwanted distraction. However this, and the delayed start due to technical hitches – this was the first night of the tour where they were without their full team – were my only grievances with an otherwise exhilarating show. In her mid-twenties also, Tempest writes what she knows here and in doing so makes Wasted a heartfelt call to arms to a lost generation, reminding her peers that it isn’t too late to change track, to go for what you want.
Wasted is currently on tour. For dates and to see the video trailer visit:http://www.painesplough.com/current-programme/by-date/wasted



Read the article on Sabotage (and lots of other great reviews / content) here: http://sabotagereviews.com/2012/04/05/wasted-by-kate-tempest/

Comments

Popular posts from this blog

PHOTO BLOG: Poetry at the Clocktower

We had a lovely day of poetry outside the Poetry Bookshop in Hay today and it stayed mostly dry too!  Here’s me telling the audience some things about Bert (Roberto Pastore). Thanks Sian Lile-Pastore for the photo. And the rest of the photos as promised... Imogen Davies, Richard Davies, Niall Griffiths, Nigel Jarrett and Ifor Thomas took the early spots... (thanks to Christina and Ifor for these photos...) Richard (Parthian) & crowd Niall Griffiths reading Niall Imogen Ifor Thomas reads Nigel Jarrett reads Next up we had readings from Christina Thatcher, Abigail Parry and Samantha Wynne-Rhydderch,  followed by readings from Ness Owen, Mari Ellis Dunning, Jemma L. King, Tracey Rhys, Patrick Jones, Roberto Pastore and, drawing the short straw to go last, yours truly. Abigail reads Abigail again Roberto Pastore reads Ness Owen reads Everyone loves Bert Tracey Rhys reads Patrick Jones reads Samantha Wynne-Rhydderch A shot of Christina in red in the crowd Stalls at Hay Castle ...

BOOK REVIEW: 'one of the most distinctive voices in contemporary Welsh writing in English'

There is a wonderful extended review essay 'Ecological Literacy' by Steven Lovatt in the latest issue of New Welsh Review exploring recent books that seek to restore natural and cultural ecologies and recognise how the cultural nature of our landscapes is preserved in language. It offers an in-depth look at This Common Uncommon by Rae Howells, and here are three of our favourite snippets: "Rae Howells’ new poetry collection, This Common Uncommon , is a fierce and loving affirmation of the local, exemplifying the sort of care-full attention to the interdependence of people, other animals and plants that will be required if anything worthwhile is to be saved from the present ruin." "Howells confirms the evidence of her first collection, The Language of Bees, that she is a highly adept poet, possessing one of the most distinctive voices in contemporary Welsh writing in English." "If West Cross Common is developed for housing, nobody can now claim ignoran...

GIG ALERT: Voicebox Wrexham

Celebrate 11 years... (11 YEARS!) of Voicebox with an absolute class creative cabaret of Wrexham's Arts Scene with the infamous Voicebox Open Mic with your host Natasha Borton! This month we have a very special takeover with Parthian Books. Parthian is an independent publisher based in Cardigan, Wales. Since its foundation in 1993, Parthian has published some of the best-known works of contemporary Welsh literature. Parthian's motto is “A Carnival of Voices in Independent  Publishing”. Monday 11th November at Rough Hands Tap, Wrexham Entry is £5 (£3 concessions) Doors: 7pm Open Mic 7:30 - 8:30 Susie Wild - 8:45 - 9:15 Patrick Jones - 9:15 - 9:45 Penblwydd Hapus Voicebox Headliners: Susie Wild is author of the poetry collections Windfalls and Better Houses, the short story collection The Art of Contraception listed for the Edge Hill Prize, and the novella Arrivals. Her work has featured in many publications including Poetry Wales, Ink Sweat & Tears and The Atlanta Review and...