Skip to main content

THE STAGE REVIEW | GAZA/BLAENANNERCH


Gaza/Blaenannerch

Published Tuesday 23 October 2012 at 12:19 by Susie Wild

Gaza/Blaenannerch reveals Ladd’s personal reflections on the parallels between the disruption of nationhood and the disappearance of identity in the similarly sized countries of Wales and what used to be Palestine, and the ensuing dispersal of their people, scattering them well beyond their ancestral homeland. The idea for this sequence of expressive and intelligent dance pieces was sparked by the unmanned drones currently tested near the home of Ladd and the Welsh village of Blaenannerch.
In front of a screen that moves from slate to blood red, Eddie switches continents and moods, from the contemplative, the impish and playful to the tortured, the lost, the flailing as she uses her body as both storyteller and teaching aid. She wriggles and writhes, she clambers and climbs, occasionally throwing in facts verbally, or with the scratch of chalk on blackboards. Tone and emotional drive is further provided by Philip Glass’s ethereal String Quartet No.5. Simplistic yet bold symbolism is layered through the work with the shifting of stones - Eddie scrutinises the diaspora and serfdom they represent, carries the weight of it on her shoulders, gathering the flotsam and jetsam of people moved by shifting political tides.
Eddie Ladd has made a name for herself as one of Wales’ premier performers, producing poignant and provocative political work that elegantly presents Wales to the wider world, and draws the world to Wales’ backyard. Strong direction from Judith Roberts has tightened her new directions and language, resulting in this powerful and important multi-lingual hybrid of dance and physical theatre. As Ladd repeats: ‘What happens next is what matters.’

Production information

Weston Studio, Wales Millennium Centre, Cardiff, October 22-23, then touring until 9 November
Authors:
Judith Roberts, Eddie Ladd
Choreography:
Cai Tomos, Eddie Ladd
Producer:
De Oscura
Cast:
Eddie Ladd, Judith Roberts
Running time:
1hr 10 mins

Comments

Popular posts from this blog

The New Elysium is Open!

It was an absolute joy to be in Swansea for the opening of the new Elysium Gallery art centre in the city centre, I'm so proud of Jon and Dan and the team who have all worked so hard on this, and over the preceding years and many, many venues...  It was lovely to see friends old and new there and nose around the open studios. Do go along and use the cafe, go to events, see the shows... I will be getting involved with some literary things there in the future too... Andre Stitt – Estateless continues at the new space on Belle Vue Way. Music continues at the old venue, now called Down by Here but still programmed by Scott, who is putting on some class acts.

Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More:  http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More:  http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

MS: The Book Launch: A Mini Series, Part One

Preparing for a book launch is a little like – I imagine – preparing for birth may be, or your wedding day. Except better. Far better. In my eyes. So this week I’ve been worrying about the guest list, nesting, cleaning, plucking, preening and outfit planning. I’ve also been wondering if any of the guys are having the same reserves and rigmaroles as me. Probably not. I doubt they’ve bought new heels. I’m having to put away any spoilt child tendencies too. For my book launch(es) will involve sharing the spotlight with the three other titles and authors that make up  the Parthian Bright Young Things series  – Tyler Keevil, Wil Gritten, and JP Smythe. This has pros and cons. Pros include getting to have more launches (Cardiff, Swansea, Bangor and London) as we pool marketing budgets, cons include the party not being  exactly  as you, singular, would want it – glitter, cupcakes, my favourite band in my case – and the impossibilities of arranging so many dates where all ...