On Better Houses:
"The collection begins on a riotous note in 'Build the Table First', invoking fire, broken glass, flamingos and fake blood, in worlds made, destroyed and remade through outnumbered 'house moves'. But (as the fake blood may suggest) nothing comes to serious harm here, ultimately looking towards physical and emotional forms of steadiness: 'nothing is broken between us / for long'. It's a fitting introduction to the collection as a whole, which contemplates big life shifts throughout but is ultimately a gentle and conciliatory work. [...] 'Carcharodon Carcharias, Cariad', reels gorgeously from a restaurant to the seashore to the night sky [...] Finding (the way) home is of course a key theme for this collection full of thresholds. [...] The collection ends with an anxious doorstep pause – 'You wait for your self / to open up, to let you in with your secrets' ('Inside You') – that suggests an unfinished journey through the experiences and signs that tell us we're home."
On Brood:
"From The Parliament of Fowls to Crow, birds are familiar ground for poetry but Edwards's dark and witty Brood finds new points of entry. Suggesting maternity, and a mood, from the title onwards, Brood bears witness to things unravelling – a relationship, a pregnancy, a myth, a familiar rhyme. [...] transporting us the undefined chaos of an unreal world crowded with characters (human and avian) and voices (spoken and sung), and their increasingly punishing demands."
I'm just a few sales away from a reprint, make it so
and also please buy and support Planet or log in to your account to read more x
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