Thursday, 30 November 2017

Sunday, 19 November 2017

Gig Alert: Bad Ideas\Chemicals Cosmic Relaunch

I'll be reading a few poems at Lloyd Markham's event at the Full Moon with other performers and musicians... Come along! Here's the poster:

Following that I will be giving a lunchtime reading at Can Openers in Bristol on 1 December, and then hosting and reading at Brown's Poems & Pints in Laugharne on 7 December...

Then I'm taking a little festive season break before returning with gigs in Carmarthen, Bristol, Cardiff, Newport and more in 2018.

Susie x

Gig Alert: Wild Words at The Wheatsheaf

Hello Lovelies,

How are you all doing? Great, I hope! I am almost back to 100% and ready to kick off the tour again this Saturday 25 November by hosting Wild Words at The Wheatsheaf in Fitzrovia, London. This is the London launch for Better Houses, in my birth city, so I will also be reading, but before that I will be introducing some wonderful writers from Parthian Books and our friends. Here are the bits and bobs:

Join us for an afternoon of poetry from Wales and the World at The Wheatsheaf. We will be featuring poets with links to London and Wales and poetry in translation published by Parthian Books and their friends. 

Poets performing include Eleni Cay (A Butterfly's Trembling in the Digital Age, Parthian, 2017 in translation from Slovakian), Christina Thatcher (More than you were, Parthian Books, 2017), Rebecca Parfitt (The Days After, Listen Softly London, 2017), and Tracey Rhys (Teaching a Bird to Sing, Green Bottle Press, 2016).

More special guests TBA! Contact if you'd like to read on the day too!

Social / Drinks from 2pm, readings start from 3pm and will wrap up by 7pm. Free entry, books for sale, CASH ONLY... BRING CASH!

The Wheatsheaf, 25 Rathbone Place, London W1T 1JB

Eleni Cay is a Slovakian-born poet living in Manchester, UK. Her poems were published in two pamphlets - Colours of the Swan and Autumn Dedications - and featured in MK Calling 2013 & 2015, anthologies (e.g. Mother's Milk); poetry magazines (e.g. Envoi, Atticus Review) and as the 'best poetry videos on the web' (Moving Poems). Eleni is currently studying the MA Creative Writing at Manchester Metropolitan University. Several of her poems have been re-imagined as poetryfilms, dancepoems or multimedia poems, shared widely on social media networks. She has performed her poems in bookshops, at local schools and poetry events in Slovakia, Germany, Austria, USA and England. A Butterfly's Trembling in the Digital Age has been translated into English for the first time by John Minahane.

Christina Thatcher is a PhD student and postgraduate tutor at Cardiff University where she studies how creative writing can impact the lives of people bereaved by addiction. Christina keeps busy off campus too by delivering creative writing workshops across south Wales, running projects for organisations including Making Minds and the Welsh Writers Trust and coordinating literature events for the Made in Roath Festival. Her poetry and short stories have featured in a number of publications including The London Magazine, Planet Magazine, Acumen and The Interpreter’s House.
To learn more about Christina’s work please visit her blog: https:// or follow her on Twitter: @writetoempower.

Rebecca Parfitt is originally from Brighton but now lives and works in Cardiff. She has been working in publishing for almost a decade, beginning her career in London before moving to Wales. She is Founder and Editor of the Ghastling – a literary magazine devoted to ghost stories, the macabre and the oh-so-strange. She has published many poems, short stories and reviews in anthologies and magazines. Some of her work has appeared in the Boston Poetry magazine, Dream Catcher, Story Shack, Silver Apples, Dagda, Cheval, Poetry Wales, Wales Arts Review and the Delinquent. She was shortlisted for the Bridport International Poetry Prize, (2010); the Cinnamon Press debut poetry collection award, (2013); she was a finalist for the Aesthetica Creative Writing awards in 2015. Rebecca has recently been given a ‘Writer at Work’ residency by Hay Festival and Arts Council Wales to develop a novel. Tipped as ‘one to watch’ by Cinnamon press who described her poems as: ‘poised images shimmer with clarity, making the everyday world of relationships brim with unsettling surprise.’

'By turns tender and outraged, these poems are written from the perspectives of both mother and her autistic child. Tracey Rhys is developing into a superb poet and her first collection contains several powerful pieces that celebrate one child’s life and his vivid imagination. Moving, funny, true and imbued with a gorgeous lyricism, Tracey Rhys’s poems are the real thing. Highly recommended.' – Robert Minhinnick
'Tracey Rhys displays a lyrically inventive and unique voice in these touching yet unsentimental poems about her autistic son, from his birth to his diagnosis. A wonderful debut from a distinctive Welsh poet.' – Rhian Edwards

'These poems are spells whose words bewitch the ordinary and transform the objects and routines of our human world with their word-magic.' – Gillian Clarke
'The world shifts and transforms itself in these subtly disconcerting poems: words into bees, surgical stitches into mascaraed eyelashes, a fossil oyster into a lover's toenails. The effect can be darkly sinister or exuberantly witty, but it's always new and refreshing. This is an exciting and assured poetic debut.' – Matthew Francis
‘Susie Wild writes with poise and precision about the places we inhabit, casting a benevolent spell over her reader.’ – Samantha Wynne-Rhydderch
'The voice is concentrated, urgent; the material is often tender, even domestic. There is no contradiction in this. The poems come from raw edges of the spaces between people, and a sense of how provisional the tender things can be.' – Philip Gross
'Poems carefully built to be inhabited.' – Cynan Jones

Friday, 17 November 2017

Do Not Go Gentle

Back to Swansea we went, for my third Better Houses tour gig in the city... this time at Do Not Go Gentle festival, which had made the move from the Uplands to the city centre.

I was reading with the excellent Emily Blewitt, and it always a pleasure to share the stage with her. We were upstairs at No Sign Wine Bar. I used to work as a waitress in a cocktail bar (Indigo, which was part of the building) when I was an undergraduate (my glamorous youth).

Thanks to Pierre for booking us and all who came along to see me perform my words in a slightly more nervous than usual manner (Mother was visiting).

Les, who stored my furniture for me during one of the many moving times of my life also came along and bought a book! (I've only been inviting him to my readings for 12 years! (It was lovely to see him)).

I didn't take any photos, but it did happen.

Thursday, 16 November 2017

Berkeley Square Poetry Review

It was wonderful to return to Bristol, where I lived when finishing my first book The Art of Contraception quite a few years back now. I had been invited by Charles and Tim to be the guest feature at the Berkeley Square Poetry Revue at cocktail bar and arts and media hub The Square Club and had planned a tenuously-linked set of Halloween poems – at least I had the Jaws one, and one that mentioned spiders, another blood, and so on – but the audience seemed non-plussed by Halloween so I read the love poems and the house poems and the courgette crisis poems instead.

I was glad I'd only opted for witchy tights rather than a full costume, and for making it in time to also catch the Grayson Perry exhibition at the Arnolfini beforehand, and for the 1:30am train home as the gig finished too late for the 11pm which meant I had to call in to my favourite theatre bar on the way home, the shame.

Wednesday, 15 November 2017

Photo Blog: Dylan's Birthday

On 27 October, I celebrated both Dylan's Birthday and my Swansea book launch at the Dylan Thomas Birthplace in dear Swansea, reading poems from Better Houses to a lovely, receptive audience and then sleeping in Dylan's boyhood bed afterwards. It was a gorgeous gig – thanks for booking me, the accommodation and the wine Geoff Haden! – and I'm dead happy to have been there. Great to hear from Uplands' urban sketcher Bill Bytheway too!

Here are some snaps:

Action Shot: Crowd

Bill Bytheway

Dylan's Bed