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Showing posts from October, 2012

NWR Blog | xx Minifest of Women's Writing

BLOG  Gwen Davies NWR Issue 97 xx Minifestest of Women's Writing "Had a good time on Saturday at this new festival for the writing of women from Wales and beyond. It was excellently organised (despite a concurrent beer festival at Chapter) and publicised by the team of Penny Thomas, Carole Burns, Amy Wack and Susie Wild. The audiences were large and the evening 'Salon', featuring the short story with Roshi Fernando and Rachel Trezise, sold out. The main delight for me was chatting in the bookfair section to Roshi about balancing international gigs publicising Bloomsbury's edition of her integrated short fiction collection,  Homesick ,  Read about it in NWR's Online Interview, Roshi Fernando , with developing her debut novel,  The Elephant's Wife , an excerpt from which appeared last year in  NWR 92, The Elephant's Wife Extract . " Read the blog in full:  http://www.newwelshreview.com/article.php?id=380

BBC Arts Blog: Women's writing celebrated at the xx minifest

Women's writing celebrated at the xx minifest Friday 26 October 2012, 12:04 Laura Chamberlain Share Facebook Twitter COMMENTS Tagged with: arts and culture ,  writing ,  poetry Writing by and for women will be celebrated this weekend as the xx minifest of women’s writing 2012 takes place in Cardiff. This inaugural festival will take residence at Chapter Arts Centre this Saturday, 27 October. It aims to publicise the range and diversity of writing by women from Wales in the English language, and encourages both men and women to attend and take part. This one day minifest will act as a "taster session", as a more extensive literary programme is already being planned for 2013. I put a few questions about the festival to Susie Wild, one of the co-organisers of the xx minifest. Wild is a writer, an editor at Parthian Books and she also organises the  Cardiff Literary Salon , and will be holding a special edition of the literary gatheri

PHOTO BLOG | WM | Why women write

THE STAGE REVIEW | A MIDSUMMER NIGHT'S DREAM

A Midsummer Night’s Dream Published  Wednesday 24 October 2012  at  11:14  by  Susie Wild http://www.thestage.co.uk/reviews/review.php/37614/a-midsummer-nights-dream Shakespeare’s classic fairytale forest farce is transposed to the home front during the Second World War. Air raid sirens sound as we join the cast in watching a charming silent railway rescue film - Help! Help! - and then the real action begins. Mappa Mundi and Theatr Mwldan have been creating and touring accessible new co-productions annually since 2006. Together with guest director Peter Doran of The Torch Theatre, Milford Haven, they have conjured a moonlit multimedia show of shadowy uncertainty where dreams play within dreams and even night is confused. Most of the 13-strong cast are Royal Welsh College of Music and Drama alumni including a sweetly stubborn landgirl Hermia (Lisa Zahra), a haughty, snivelling Helena (Joanna Simpkins) and an American GI Lysander (newcomer Jack Brown) but not Francois Pandol

WM | Why Women Write

I guest edited The Western Mail's women's supplement WM today, which included contributing a column and an xx feature... Already snuggling up with a good book as the nights draw in – why not go out and see some of your favourite writers reading their work live this weekend? xx minifest is a celebration of women’s writing taking place at Chapter Arts Centre in Cardiff on Saturday, featuring readings, performances, book stalls and bookish discussion. WM caught up with three of the writers taking part... Read More  http://www.walesonline.co.uk/showbiz-and-lifestyle/showbiz/2012/10/23/an-all-women-s-writing-workshop-for-south-wales-the-writers-tell-us-what-to-expect-from-xx-minifest-91466-32081370/#ixzz2A80vtUoH

THE STAGE REVIEW | GAZA/BLAENANNERCH

Gaza/Blaenannerch Published  Tuesday 23 October 2012  at  12:19  by  Susie Wild http://www.thestage.co.uk/reviews/review.php/37613/gaza-blaenannerch Gaza/Blaenannerch reveals Ladd’s personal reflections on the parallels between the disruption of nationhood and the disappearance of identity in the similarly sized countries of Wales and what used to be Palestine, and the ensuing dispersal of their people, scattering them well beyond their ancestral homeland. The idea for this sequence of expressive and intelligent dance pieces was sparked by the unmanned drones currently tested near the home of Ladd and the Welsh village of Blaenannerch. In front of a screen that moves from slate to blood red, Eddie switches continents and moods, from the contemplative, the impish and playful to the tortured, the lost, the flailing as she uses her body as both storyteller and teaching aid. She wriggles and writhes, she clambers and climbs, occasionally throwing in facts verbally, or with the

THE STAGE REVIEW | GRIMM TALES

Grimm Tales Published  Wednesday 17 October 2012  at  14:40  by  Susie Wild Everyone knows that Grimm’s fairy tales are the best fairy tales, and as this year marks the bicentennial of their publication they are undergoing a resurgence of popularity assisted by Philip Pullman, who has recently released his Penguin Classic retellings of 50 of his favourite dark Brothers Grimm stories. For Grimm Tales production company Theatr Iolo has brought three of the better known folk tales - Hansel & Gretel, Ashputtel (the original Cinderella story) and Snow White - back into their original realm of oral heritage; staging them with Iolo’s usual blend of charm, verve, and playful humour. Erini Gregoriades’ set - a puzzle of wooden doors and picture frames - enabled the cast to conjure the scary shadowy forests for Hansel and Gretel to get lost in, and Snow White to escape to, and Jem Treays’ enchanting movement design created energetic dances and hilarious, sweet dwarves. All four memb

CLICK ON WALES REVIEW | THE FRONT LINE IN CARDIFF AFTER DARK

Susie Wild examines a snapshot of the capital’s after-hours wrecked zone delineated by Caroline Street and St Mary Street October 13th, 2012  Polish-born, London-based photographer  Maciej Dakowicz  brings a sobering outsider’s eye to the night-life of central Cardiff, where he lived for seven years, co-founding the  Third Floor Gallery .  All the world’s a stage , but this photographer’s insightful gaze returns again and again to the performances of punters and pranksters on parade, imbibing on St Mary Street and then later stuffing faces and each other outside Tony’s. He conjures tales of cowboys and Casanova, cigarettes and regrets.  Cardiff After Dark  is a hyper-real world, fuelled by Jaeger shots, graffiti-scrawled emotions and outfits and lipstick with the contrast turned up. A melting pot of lust, fistfights, bawling and blood-spattered brawling. The flesh-flashing mating rituals and macho tomfoolery. The headrush fun of it all, side-splitting, shirt-rippin

THE STAGE REVIEW | NEVILLE'S ISLAND

Neville’s Island Published  Friday 12 October 2012  at  10:53  by  Susie Wild http://www.thestage.co.uk/reviews/review.php/37563/nevilles-island Black RAT have been striving to bring quality existing comedy drama to developing audiences in Wales, touring enjoyable productions of well-tested accessible scripts and actors in an attempt to pack out theatres in towns across the country. For this autumn season, they bring us Calendar Girls’ writer Tim Firth’s popular black comedy, Neville’s Island. Telling the tale of four middle-aged, middle-management males shipwrecked on a rocky island in the Lake District after a training day goes downstream without a paddle, we see their careers and relationships hit the rocks along with their boat as cold, hunger and paranoia kick in. The single-set production physically puts its cast to the test from the domino of visual gags in the first scene and the four men are drenched, starved, covered in mud, blood and at the mercy of carnivores.