Skip to main content

THE STAGE REVIEW | GRIMM TALES


Grimm Tales

Published Wednesday 17 October 2012 at 14:40 by Susie Wild
Everyone knows that Grimm’s fairy tales are the best fairy tales, and as this year marks the bicentennial of their publication they are undergoing a resurgence of popularity assisted by Philip Pullman, who has recently released his Penguin Classic retellings of 50 of his favourite dark Brothers Grimm stories. For Grimm Tales production company Theatr Iolo has brought three of the better known folk tales - Hansel & Gretel, Ashputtel (the original Cinderella story) and Snow White - back into their original realm of oral heritage; staging them with Iolo’s usual blend of charm, verve, and playful humour.
Erini Gregoriades’ set - a puzzle of wooden doors and picture frames - enabled the cast to conjure the scary shadowy forests for Hansel and Gretel to get lost in, and Snow White to escape to, and Jem Treays’ enchanting movement design created energetic dances and hilarious, sweet dwarves. All four members of the cast are shape-shifting chameleons, easily switching between moods and characters as they tell their fireside tales but special mention must go to Elliot Quinn who provided many of the laughs.
Grimm Tales marks Theatr Iolo’s 25th year in making exciting, original theatre for children and young people and their families. Here’s to another 25 spreading even more dreamscapes and delight. This is a magical show with a healthy sprinkle of fear and gory squelch, and plenty to spark the imaginations of young and old.

Production information

Chapter Arts Centre, Cardiff, 16 October, then touring until 1 December
Author:
Jacob and Wilheml Grimm, adapted by Carol Ann Duffy, Tim Supple
Director:
Kevin Lewis
Producer:
Theatr Iolo
Cast includes:
Wiebke Acton, Cassandra Jane Bond, Ceri Elen, Elliot Quinn
Running time:
1hr 45mins (short version 55mins)

Comments

Popular posts from this blog

BOOK REVIEW: 'one of the most distinctive voices in contemporary Welsh writing in English'

There is a wonderful extended review essay 'Ecological Literacy' by Steven Lovatt in the latest issue of New Welsh Review exploring recent books that seek to restore natural and cultural ecologies and recognise how the cultural nature of our landscapes is preserved in language. It offers an in-depth look at This Common Uncommon by Rae Howells, and here are three of our favourite snippets: "Rae Howells’ new poetry collection, This Common Uncommon , is a fierce and loving affirmation of the local, exemplifying the sort of care-full attention to the interdependence of people, other animals and plants that will be required if anything worthwhile is to be saved from the present ruin." "Howells confirms the evidence of her first collection, The Language of Bees, that she is a highly adept poet, possessing one of the most distinctive voices in contemporary Welsh writing in English." "If West Cross Common is developed for housing, nobody can now claim ignoran...

POETRY COMPETITION: The Borzello Trust Poetry Prize

Just a reminder that the Borzello Trust Prize for Poetry is open for entries until 31 January 2025. Niall and I look forward to reading your words... This year we are thrilled to open a second category of the New Welsh Writing Awards with many thanks to the generous support from The Borzello Trust. Supporting in the development of yet unpublished poets living, working or from Wales, the winner of The Borzello Trust Prize for Poetry will receive a £500 development publishing contract with Parthian Books/The Borzello Trust. Including mentorship from Susie Wild to develop a poetry collection that (following publication) will be distributed via The Borzello Trust to over 250 Welsh libraries and schools. There will be a £150 cash prize to the five highly commended entries and publication in a special anthology collection published by Parthian Books. Winner: £500 as an advance on a book development contract with Parthian Books, for publication on their poetry list, plus mentorship/developm...

Raconteur Photo Snapping

Some shots from The Raconteur shoot with Tom Beardshaw