Skip to main content

BYT: On The Radio/ Dead Poets

Bright Young Things Logo

April 2010

We made it! 24 hours of poetry (I think I was ‘awake’ for about 40 hours in all, and no dead poets. A-M-A-Z-I-N-G. Thanks to all who came along! You can listen again to my interview on BBC Radio Wales (21 minutes and 52 seconds in). We were raising money for the Hay Poetry Jamboree.
I am shattered but shall write more soon. Until then you can catch me reading a story at Telling Tales in Cardiff on Sunday 2 May (2pm, Cardiff Arms Cafe, Westgate Street, FREE)  and then I’ll be reading poems at Milgi, also in Cardiff, with the Big Fuss residency from 7pm that evening.
Enjoy the sunshine!
Susie Q x

Comments

Popular posts from this blog

Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More:  http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More:  http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

GIG ALERT: Natalie Ann Holborow at Uplands Poetry Night, Swansea

 

BOOK REVIEW: 'It deserves to be read far more widely.'

In her engaging review essay 'Fantastical Doubles and Split Selves' in the latest issue of New Welsh Review , author of The Word, JL George, looks at responses to trauma in three recent novels including Fox Bites by Lloyd Markham . Here are three of our favourite snippets: ‘Lloyd Markham’s first full-length novel Fox Bites , set in early-2000s Zimbabwe, takes a similar tack, colliding social upheaval – as viewed through the sometimes-uncomprehending eyes of a young, neurodivergent boy – with smaller, more personal disruptions. The young protagonist, Taban, suffers bullying and isolation among his peers after his family splits apart: his aunt, uncle, and beloved cousin Caleb moving away to a farm which will later be seized during land reforms.’ ‘Taban must resist the temptation to become part of a cycle of abuse, thereby becoming a conduit for the destruction of his world. Although the stakes of the book eventually become world-threatening in the expected way of science fiction...