Skip to main content

Calm down, dears – it's only a theatre review

'The internet. It sure is grand, but by God is it angry. And in few places, curiously, is this anger more evident than in theatre blogging and online reviews. The very titles seethe with anger. The West End Whingers, Burnt Arts (the text blazing red) and Distant Aggravation are just the tip of the razor-sharp iceberg. The subheadings continue in the same, aggressive manner, with the West End Whingers claiming – albeit, perhaps, ironically – to be "putting London's West End theatre to rights". Just why is the internet so riddled with rage and is it useful to theatre criticism – or merely self-destructive?'


& a few related posts I missed while I was in Venice. 
Yes that VENICE...Yes it was Ve(ry)nice...


Also, this...

Beyond the words. What can critics do beyond their words?

Comments

Popular posts from this blog

Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More:  http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More:  http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

GIG ALERT: Natalie Ann Holborow at Uplands Poetry Night, Swansea

 

BOOK REVIEW: 'It deserves to be read far more widely.'

In her engaging review essay 'Fantastical Doubles and Split Selves' in the latest issue of New Welsh Review , author of The Word, JL George, looks at responses to trauma in three recent novels including Fox Bites by Lloyd Markham . Here are three of our favourite snippets: ‘Lloyd Markham’s first full-length novel Fox Bites , set in early-2000s Zimbabwe, takes a similar tack, colliding social upheaval – as viewed through the sometimes-uncomprehending eyes of a young, neurodivergent boy – with smaller, more personal disruptions. The young protagonist, Taban, suffers bullying and isolation among his peers after his family splits apart: his aunt, uncle, and beloved cousin Caleb moving away to a farm which will later be seized during land reforms.’ ‘Taban must resist the temptation to become part of a cycle of abuse, thereby becoming a conduit for the destruction of his world. Although the stakes of the book eventually become world-threatening in the expected way of science fiction...