Skip to main content

THE STAGE | REVIEW | THE VILLAGE SOCIAL


The Village Social

Published Monday 24 October 2011 at 12:02 by Susie Wild
The Village Social is a surreal musical comedy touring village halls across Wales. Ben Lewis and Dafydd James, the duo behind award-winning 2009 Edinburgh Fringe show My Name is Sue, have again succeeded in creating a deliciously dark oddball hit with a vigorous, well-chosen cast.
Upon entry to the bunting-bedecked hall, audience members become the villagers of Cae Bach (‘Little Field’). They are given raffle tickets as they take their seats for the local fundraiser - so far so normal - but soon the local performance night begins to unravel with perfectly-pitched awkwardness. There have been some strange goings-on in the village and, as the evening progresses, the cast begins to act increasingly bizarre.
The main attraction is running late, and so the characters fill in by sharing the tales of Cae Bach’s history - feasting and parties in a Celtic other world - centring on their recently burnt down ancient yew tree. Then, during a power cut, the hilarious clairvoyant Madame Isis arrives and points a gnarled finger at each of the characters’ secret desires. Clues to the villagers’ mythical demise are given from the very start, with the singing of their prophetic anthem: “Cae Bach our pride and glory/We live to tell your story/Defend ‘til we are gory/This little field of ours.” And psychotropically gory it gets. After Madame Isis curses the people of Cae Bach, the cast transform into their fun and twisted alter egos releasing absurd costumes, secret passions, bad smells and bloodshed.
If let down by some confusion in the sudden, change of pace ending, this is an otherwise truly inventive, enjoyable piece of musical theatre from two of our rising stars.

MORE: http://www.thestage.co.uk/reviews/review.php/33979/the-village-social

Comments

Popular posts from this blog

Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More:  http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More:  http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

GIG ALERT: Natalie Ann Holborow at Uplands Poetry Night, Swansea

 

BOOK REVIEW: 'It deserves to be read far more widely.'

In her engaging review essay 'Fantastical Doubles and Split Selves' in the latest issue of New Welsh Review , author of The Word, JL George, looks at responses to trauma in three recent novels including Fox Bites by Lloyd Markham . Here are three of our favourite snippets: ‘Lloyd Markham’s first full-length novel Fox Bites , set in early-2000s Zimbabwe, takes a similar tack, colliding social upheaval – as viewed through the sometimes-uncomprehending eyes of a young, neurodivergent boy – with smaller, more personal disruptions. The young protagonist, Taban, suffers bullying and isolation among his peers after his family splits apart: his aunt, uncle, and beloved cousin Caleb moving away to a farm which will later be seized during land reforms.’ ‘Taban must resist the temptation to become part of a cycle of abuse, thereby becoming a conduit for the destruction of his world. Although the stakes of the book eventually become world-threatening in the expected way of science fiction...