Skip to main content

THE STAGE | REVIEW | LA BOHEME

La Boheme

Published Wednesday 6 June 2012 at 12:01 by Susie Wild
Welsh National Opera’s La Boheme is a feast of the senses celebrating La Belle Epoque. Choosing to revive one of their best-loved productions with the alternative version of the opera is always going to run the risk of displeasing traditionalists and avid fans of the other production, however the beautifully contemporary visual spectacle they have created is guaranteed to win them many new admirers. Annabel Arden makes an assured debut with WNO as director with great attention to the nuances of character. Stephen Brimson Lewis has designed incredible, cinematic sets incorporating multimedia to great effect as the action switches from the shadows and starlight of Parisian garrett rooftops and the exuberant bustle of bohemian cafe culture in the Madcap years to the painterly winter tableaux of Act III. Extravagant diversive rather than outrageously distracting.
Anita Hartig (Mimi) and Alex Vicens (Rodolfo) in La Boheme Wales Millennium Centre, Cardiff
Anita Hartig (Mimi) and Alex Vicens (Rodolfo) in La Boheme Wales Millennium Centre, CardiffPhoto: Catherine Ashmore
This popular story is, in the main, enjoyably light-hearted and the cast are infectiously jovial when playing the scenes packed with joie de vivre and mischief - especially the musing philosopher Marcello (David Kempster) and his on-off fickle flirt of a muse Musetta (Kate Valentine), both on fine form. Rodolfo (Alex Vicens) and Mimi (Anita Hartig) are charmingly believable lead lovers while one of WNO’s long-associated conducters Carlo Rizzi arouses much warmth from the familiar score.
Act II packs the stage with a flamboyant chorus of students, hawkers, shopkeepers, working girls, crossdressers and soldiers in sharp contrast with the touching, chilled quiet of Act III’s opening scenes. Then lovers are once more reconciled as a very sick Mimi dies not of mal du siecle, but consumption. Much to admire.

Production information

Composer:
Composer: Giacomo Puccini. Conductor: Carlo Rizzi
Management:
Welsh National Opera
Cast:
David Kempster, Shaun Dixon, David Soar, Gary Griffiths, Anita Harlig
Director:
Annabel Arden
Design:
Stephen Brimson-Lewis
Lighting:
Tim Mitchell
Choreography:
Philippe Giraudeau
Production information can change over the run of the show.

Read the review in full at: http://www.thestage.co.uk/reviews/review.php/36394/la-boheme

Comments

Popular posts from this blog

Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More:  http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More:  http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

GIG ALERT: Natalie Ann Holborow at Uplands Poetry Night, Swansea

 

BOOK REVIEW: 'It deserves to be read far more widely.'

In her engaging review essay 'Fantastical Doubles and Split Selves' in the latest issue of New Welsh Review , author of The Word, JL George, looks at responses to trauma in three recent novels including Fox Bites by Lloyd Markham . Here are three of our favourite snippets: ‘Lloyd Markham’s first full-length novel Fox Bites , set in early-2000s Zimbabwe, takes a similar tack, colliding social upheaval – as viewed through the sometimes-uncomprehending eyes of a young, neurodivergent boy – with smaller, more personal disruptions. The young protagonist, Taban, suffers bullying and isolation among his peers after his family splits apart: his aunt, uncle, and beloved cousin Caleb moving away to a farm which will later be seized during land reforms.’ ‘Taban must resist the temptation to become part of a cycle of abuse, thereby becoming a conduit for the destruction of his world. Although the stakes of the book eventually become world-threatening in the expected way of science fiction...