Skip to main content

Guadalajara: Friday

On Friday we had more time in the morning and chose to seek breakfast out, and settled on the terrace at Chai, a bright cafe in a small square off Juarez, a short walk from our hostel where the Huevos Rancheros and large coffee went down well.



Then we were back at MIND for the presentation of Mabli's painting to Jalisco Government before the film crew took Rebecca and I up to the roof for our interviews to camera. 




Then we were free to explore – heading out to picturesque artisan area of Tlaquepaque for some street food and shopping before joining the others for drinks and dinner at their glitzy hotel.







  After dinner I headed back to FIL with the boys for the second half of the Cinematic Orchestra set.






























Comments

Popular posts from this blog

Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More:  http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More:  http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

GIG ALERT: Natalie Ann Holborow at Uplands Poetry Night, Swansea

 

BOOK REVIEW: 'It deserves to be read far more widely.'

In her engaging review essay 'Fantastical Doubles and Split Selves' in the latest issue of New Welsh Review , author of The Word, JL George, looks at responses to trauma in three recent novels including Fox Bites by Lloyd Markham . Here are three of our favourite snippets: ‘Lloyd Markham’s first full-length novel Fox Bites , set in early-2000s Zimbabwe, takes a similar tack, colliding social upheaval – as viewed through the sometimes-uncomprehending eyes of a young, neurodivergent boy – with smaller, more personal disruptions. The young protagonist, Taban, suffers bullying and isolation among his peers after his family splits apart: his aunt, uncle, and beloved cousin Caleb moving away to a farm which will later be seized during land reforms.’ ‘Taban must resist the temptation to become part of a cycle of abuse, thereby becoming a conduit for the destruction of his world. Although the stakes of the book eventually become world-threatening in the expected way of science fiction...