New Poem: 'The Cancelled Honeymoon' on Write Where We Are Now

I'm delighted to have my poem 'The Cancelled Honeymoon' up as part of Carol Ann Duffy's Write Where We Are Now project!

Carol Ann Duffy and the Manchester Writing School at Manchester Metropolitan University have brought together poets from around the world to write new poems during the Coronavirus crisis. Our poets were invited to write directly about the pandemic or about the personal situation they found themselves in during lockdown.

The collection features poems written from the earliest stages of the pandemic up until 30th June 2020. The poems are presented in date order and each includes a note about where it was written. They will remain online as a permanent creative, historical and sociological record of these extraordinary and challenging times.

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Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More: http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More: http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

GIG ALERT: Natalie Ann Holborow at Uplands Poetry Night, Swansea

BOOK REVIEW: 'It deserves to be read far more widely.'

In her engaging review essay 'Fantastical Doubles and Split Selves' in the latest issue of New Welsh Review , author of The Word, JL George, looks at responses to trauma in three recent novels including Fox Bites by Lloyd Markham . Here are three of our favourite snippets: ‘Lloyd Markham’s first full-length novel Fox Bites , set in early-2000s Zimbabwe, takes a similar tack, colliding social upheaval – as viewed through the sometimes-uncomprehending eyes of a young, neurodivergent boy – with smaller, more personal disruptions. The young protagonist, Taban, suffers bullying and isolation among his peers after his family splits apart: his aunt, uncle, and beloved cousin Caleb moving away to a farm which will later be seized during land reforms.’ ‘Taban must resist the temptation to become part of a cycle of abuse, thereby becoming a conduit for the destruction of his world. Although the stakes of the book eventually become world-threatening in the expected way of science fiction...

Wildlife

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