Buzz Review: Wild Cherry

A lovely, personal angle on this review of Wild Cherry from Mab Jones, here for Buzz...

'A poet who I feel more affinity with than most; who writes about Wales but also about the cosmos (as I do); who’s as clear, pure, lucid, light, and accessible as I wish to be; who’s as true, bright, honest, right-seeing, and unafraid as I, also, aim for in my own work [...] Perhaps it’s because of the hills and the sky, the sea on our three sides and our cultural inheritance, but I find the landscape of Jenkins’ work here hugely appealing, highly inspiring, a mirror for me and the poet I am and would like to grow to be. [...] Honest, lively, so finely written, and entirely enjoyable and uplifting for any reader...'

https://www.buzzmag.co.uk/mab-jones-poetry-column-november-2023-nigel-jenkins-abigail-parry/

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Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More: http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More: http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

GIG ALERT: Natalie Ann Holborow at Uplands Poetry Night, Swansea

BOOK REVIEW: 'It deserves to be read far more widely.'

In her engaging review essay 'Fantastical Doubles and Split Selves' in the latest issue of New Welsh Review , author of The Word, JL George, looks at responses to trauma in three recent novels including Fox Bites by Lloyd Markham . Here are three of our favourite snippets: ‘Lloyd Markham’s first full-length novel Fox Bites , set in early-2000s Zimbabwe, takes a similar tack, colliding social upheaval – as viewed through the sometimes-uncomprehending eyes of a young, neurodivergent boy – with smaller, more personal disruptions. The young protagonist, Taban, suffers bullying and isolation among his peers after his family splits apart: his aunt, uncle, and beloved cousin Caleb moving away to a farm which will later be seized during land reforms.’ ‘Taban must resist the temptation to become part of a cycle of abuse, thereby becoming a conduit for the destruction of his world. Although the stakes of the book eventually become world-threatening in the expected way of science fiction...

Wildlife

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