Buzz Review: Breaking a Mare and Bathing on the Roof

Two wonderful reviews up on Buzz for Breaking a Mare and Bathing on the Roof, thanks Mab Jones!

'Visceral and unflinching, Christina Thatcher’s exploration of girlhood, silence, and the raw edges of rural life is powerfully affecting... The poet’s unflinching gaze and lyrical prowess give these poems flint and flame: their stories are shaped by adversity, but lit up by insight.' – On Christina Thatcher's Breaking a Mare

'Tracey Rhys’ debut collection is a bold and evocative reimagining of the Biblical character of Bathsheba, transforming her with intelligence and imagination into an everywoman navigating the complexities of modern life... As well as offering up a fascinating exploration of femininity, power, and identity, it is Rhys’ adept use of language and innovative perspectives that make this collection, for me, a standout.' – On Tracey Rhys's Bathing on the Roof

https://www.buzzmag.co.uk/new-poetry-may-2025-emily-jungmin-yoon-pascale-petit/

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Open newslist

Guardian open up their newslist. Helpful and insightful or another step towards the takeover of less-informed citizen journalism and media cost-cutting/ job cuts? Discuss... More: http://www.guardian.co.uk/news/series/open-newslist?fb=native In other media news... The Times and Sunday Times cut 150 editorial posts More: http://www.guardian.co.uk/media/2011/oct/20/times-job-cuts?fb=native

GIG ALERT: Natalie Ann Holborow at Uplands Poetry Night, Swansea

BOOK REVIEW: 'It deserves to be read far more widely.'

In her engaging review essay 'Fantastical Doubles and Split Selves' in the latest issue of New Welsh Review , author of The Word, JL George, looks at responses to trauma in three recent novels including Fox Bites by Lloyd Markham . Here are three of our favourite snippets: ‘Lloyd Markham’s first full-length novel Fox Bites , set in early-2000s Zimbabwe, takes a similar tack, colliding social upheaval – as viewed through the sometimes-uncomprehending eyes of a young, neurodivergent boy – with smaller, more personal disruptions. The young protagonist, Taban, suffers bullying and isolation among his peers after his family splits apart: his aunt, uncle, and beloved cousin Caleb moving away to a farm which will later be seized during land reforms.’ ‘Taban must resist the temptation to become part of a cycle of abuse, thereby becoming a conduit for the destruction of his world. Although the stakes of the book eventually become world-threatening in the expected way of science fiction...

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